About Me
Perspective
It has been an exceptional year since we moved to our old farmstead near Rock Springs, Wisconsin. Record snows, spring torrential rains, and their aftermath. We have undertaken several projects by moving here, turning a timber frame barn into a chairmaking shop, preserving and updating a civil war era log home among others. Our newly adopted community was severely affected by the flooding but some downtown businesses are beginning to reopen.
Many boulders in the ravine to the west have been relocated by the floods, but standing there it is clear that these torrential rains were nothing compared to the forces of ice and water from long ago which gorged out this area of the Baraboo Hills.
Baraboo Valley Windsor Chairs

by David Ogren

Windsor chairs and other fine furniture handcrafted in the 18th Century American Tradition
www.baraboovalleywindsors.comphone: 608-393-3347 or
email at ogrend@gmail.com
Artisan on southern Wisconsin's Fall Art Tour- October 15-16-17  2010
My approach to chairmaking is to create fine furniture with the same level of craftsmanship as that of the master chairmakers of the 18th century. Though power tools are used for preparation of some of the material that goes into a handmade chair, the main of the work is done with reproductons of tools from 200 years ago. Steam bent parts are made from handsplit and handshaped sections of high grade "green" logs which are often obtained from thinning forest or urban landscapes or from my own Wisconsin forest land.

The windsor chair styles that I have developed are reproductions of specific chairs produced in different regions of early America. The continuous arm chair with the "bamboo style leg" is a reproduction of a chair made by Ebeneezer Tracy, a master chairmaker, who along with his sons produced a great number of windsor chairs in the Connecticut area. A number of original "Tracy" windsor chairs survive to this day in private collections or museums.

Handcrafting Windsor chairs is not just about making chairs, it's also an historical experience for me. Though the bulk of my work has been in this area, I offer several other styles, one of which is the chair to the right. This was one of 20 chairs designed for the Aldo Leopold Legacy center near Baraboo, Wisconsin. This chair reflects my philosophy of sustainable harvesting of wood. It is not a Windsor, but uses the same construction techniques. If you don't see what you are looking for and would like to design a custom piece, I am happy to work with you.

I also make several stools so check them out as well. If you have questions about what you see or would like to discuss a possible custom item please call me at 608-393-3347 or email me at ogrend@gmail.com
The Windsor era was that of the 18th century, a time where each chair was individually made by a highly skilled craftsman working out of a small shop. The combination of skill, technique and the use of superior materials produced sturdy comfortable chairs, many of which are still in use today. I use the same techniques and tools today 250 years later.

First, I use "riven" wood for backs, spindles and arms. This is wood that is hand-split with the grain (using an axe and a "froe") directly from a log. This produces parallel grain, far superior to "sawn" wood. Parallel grained wood obtained in this way is strong enough to support the sitter's weight, yet supple enough to flex with the sitter's movement. The "riven" wood is hand-shaped, steamed, then bent around a form to create the curved arms, bows and backs of my reproduction windsor chairs.

Second, all parts are hand-shaped and hand-fitted. Each windsor chair is assembled individually. Parts are joined with mortise and tenons, one of the strongest joints possible. For added strength, tenons are wedged permanently into place with locking wooden hardwood wedges.

Third, the undercarriage (legs and stretchers) are assembled in tension with the thick hand-carved seat. The flare and splay of the legs and the locked, tapered tenons in the seat produce a solid un-movable joint.

A note on materials:

If I were to make a cabinet, I could go to a lumber supplier or sawmill and obtain dimensional sawn lumber. To make a chair, (with the exception of the seat and legs), I must first get a high quality log. Then I work the log apart with wedges and maul, paring it down with drawknife and spokeshaves. I use locally grown, native hardwood logs.

Finishes:
My finishes consist of several layer of Milk Paint, followed by either oil, wax or poly coating depending on your wishes. Finishes are applied by hand.

Craftsmanship
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